Maybe you would pitch it; past its useful life and yet; A season well spent.
The pieces to my first piece of fiber art for 2021 were hanging around the studio for months. The old sailing glove should have been retired at the end of 2019. I washed it and put it back in my sailing bag. This year, it went from the bag to my studio. There were good memories in that glove.
The resist and shibori dyed wool felt seemed like a good match. I put them together in a pile, waiting for their time to come.
The Marion Art Center‘s call for member art for their winter exhibit pushed me to get the idea and make it reality.
Can I be honest? It pushed my thumb pretty hard… sewing leather through wool felt required some alternate thinking about stitching. But I finished it!
“To the wrongs that need resistance, To the right that needs assistance, To the future in the distance, Give yourselves.” —Carrie Chapman Catt
Momentum builds with every puff, idea, plan, breath of courage and event. Such whiffs fed my need to celebrate the centennial of the women’s right to vote in the US. I cannot imagine anyone who would have been against the 19th Amendment, but that’s only because I’ve been able to vote my whole life. It took longer than my life span to actually make women’s suffrage a reality.
I heard about plans in Waltham, a subscription yarn offering to celebrate the August 20, 1920 anniversary. I thought about my mother’s participation on the Wisconsin Commission on the Status of Women. With the renovation of the Melrose park that bears her name, the remarkable Mary Livermore came to mind. How can you not honor the contributions of this historic Melrosian as a writer, a pundit, editor and organizer? The long and continuing road for equality of all people needs to be honored and fed in many ways, but that doesn’t mean we can’t celebrate what happened 100 years ago.
The opportunity for a group show at the Loading Dock Gallery gave a big puff to that head spinning, idea feeling momentum, pushing me into the studio.
“Suffragette Celebration” is my first attempt to recognize the many lights that connected so that women across the US could vote in federal elections. One hundred white felt globes stitched together, illuminated and bubbling over the surface illustrate the shapes and spirits and their contributions to the 19th amendment.
For several weeks, my daily practice included creating the small, hollow globes of translucent wool. it’s been the perfect opportunity for me to play with light, think about making three dimensional art and to learn more about the suffragette movement in the United States. In January and February, I made more than 100 felted white balls, teaching a friend and my dad who helped with the process in hopes to finish it for the “Stitched” exhibit. I managed to finish hours before we installed the show.
Massachusetts slowly adapted to the 19th amendment.. Last fall, while on jury duty, I learned that Massachusetts did not allow female jurors until 1957. This fact truly shocked and dismayed me. Who would have guessed?
With the COVID quarantine, I’ve yet to retrieve and properly photograph “Suffragette Celebration.” It’s in good hands, and it will return soon. Meanwhile I have ideas for other ways to commemorate the long road to equality….
Off to my newly painted studio to see how these ideas build momentum.
If you popped by my place during the Melrose Open Studio Tour, perhaps you noticed that it was not a sparse space. A large design surface held tidbits of several projects in hibernation. Fabric sprung from the wire drawers, disguised by a fabric curtain. Wool roving fluffed out of boxes, with screen and bubble wrap rolled under the work table and bottles of soapy water stood at the ready. Pencils, ink tense and HB2, mending, ephemera and of course my sewing and felting machines covered my other table. The space was… busy?
While keeping my tools at my fingertips makes sense, the idea to sort, clean and paint hibernated the winter. After vacation in February, I decided it was time to shake up my fiber den.
Easily said. Done without difficulty, but it did require infinitely more time and patience than expected. Touching everything in drawers, bins, shelves took time. Nostalgic, restless, ebullient, anxious moments rolled into hours. Patience, Alanna, patience.
Fortunately, friends offered to help with the painting, so there was a deadline to get through it all. As they arrived, the remaining items were stuffed, pushed away, and boxed up. Let the wall prep and painting begin – both ceiling and floors. Thank you Sandra and Laurena!
With everything boxed up, I took the time to think about the components of my practice. Felting, sewing, knitting, stitched together with writing and marketing shape my creative life. It felt good to recognize all of these components, and give space for each in my studio.
It also feels good to keep only necessary materials at hand. I’ve decided to keep it that way. There are so many possibilities and yet so little time! Patience, Alanna, patience.
The studio “shake up” coincided with COVID-19 social distancing kick up. On the day that Sandra and Laurena came over, a WhatsApp message from a friend who lives in Hong Kong warned, “I worry about the US not taking this virus seriously. Do what you can to stay safe.” March 11 was my last regular day. Patience, Alanna, patience.
Meanwhile, I’m participating in a weekly seminar organized by Creative Capital, “Building Community for a Sustainable Creative Life,” led by Sharon Louden. There’s plenty of material to soak up, ideas to consider and connections to make in the next few weeks.
Clearly this year teaches me to reexamine my creative space – both physical and mental. Balancing enthusiasm and patience is a good exercise for me. This spring, I’m patiently feeding the future of my studio. Let it be a fertile place!
“Joined by Stitch” unites again for their third spring exhibit – this time at the Loading Dock Gallery in Lowell, MA. Please join us at the artist reception.
March 7, 2020 from 4 to 6 pm
122 Western Avenue, Lowell, MA 01851
My critique group is an eclectic mix of artists. We all work primarily in fiber and we’re all SAQA members who live within 40 minutes of each other. Beyond that, let the creative experience express itself! Each year, the setting and the work feed the exhibit… with a different result each time.
Tarja works in the Western Avenue Studios and proposed a group exhibit to the Gallery. They were very receptive to the idea, especially after last year’s show at the Essex Art Center.
Today, we chose the work for exhibit in the Gallery. Starting with a large, new piece by Agusta Agustsson, the next pieces easily flowed from our stacks to the wall. With tall, white walls, there is plenty of space to stack work, which was appreciated with 8 artists!
Installation was quick, easy and the camaraderie that Joined by Stitch developed over the last 3.5 years was clear. I did manage to complete the Suffragette Celebration piece (ahem, at 4:30am the day of installation). White walls and a grey pedestal are not doing this piece any justice… I can’t wait to get it back and photograph it properly.
In any case, please join us for the reception, and let me know what you think of the exhibit!
P.S. With the Loading Dock closing temporarily to encourage social distancing in this time of pandemic, the exhibit became online. As of March 25, the work was taken down and I’d be happy to share it with you in person in May.
Perhaps it’s habit. Perhaps someone drilled the golden ratio into my psyche. Until Instagram forced me to frame everything in a square, rectangles and circles were my thing. However, little square works are a popular choice for fundraisers, so last year I challenged myself to create more 12″ x 12″ fiber art work.
As promised, small squares let me play with compositions and supposedly are quick to create (hmm, not so sure about that). I’ve create fabrics made with wet felting, needle felting or both. The square fiber art pieces are dyed, painted and maybe inked. In all cases, stitch is an integral component.
How many layers, which moments, what is the message of this piece? Usually, I need to have these answers before I begin. With these small pieces, intuition and meandering lead me to pause, scratch my head and ask for opinions. That’s different than I usually work.
At our last critique group meeting, I shared a couple of paused squares. What fun to watch the consideration, experience the thoughtful silence and the hear ideas and impressions.
It’s summer, which means I’m trying to work outdoors whenever possible. There’s a temptation to drop small squares and return to larger work that I started. Actually the strongest temptation is to stop writing and get working on anything textile.
Do you follow me on Instagram? You can see square composition updates posted in my feed. Catch you later!
The Arlington Center for the Arts includes this quilt for Unravel – a fiber art exhibit that sheds light on the contemporary political scene. Difficult to photograph, this quilt shimmers in real life. The messages from signs remind me of the positive, political determination of that day on the Boston Common in 2017. That shot of energy is perfect every day!
The reception is May 17 from 7 to 9 pm, but it’s on view through July 8. The selections cover a wide range of textiles and messages. Can’t wait to see all of this fiber art in person!