Last summer, I felt certain my Finestre Migranti Immigration Windows quilt would be complete by October. In October, my expectation was surely complete it by the end of 2018. Ha! As winter 2019 begins to thaw, I’m still feverishly felting and stitching.

Alanna Nelson Finestre Migranti Window quilt background components
Background piecing for Finestre Migranti (Immigration Windows). My large square units weren’t a perfect fit – most likely due to my conversion from metric to English measurements.

Perhaps you read about my inspiration and thought process for my contribution to this international initiative. Although immigration and its ties to our food certainly focused my theme, the opportunities to express it swished and swirled until little lights sparked. This one quilt can’t do it all. There could be a series here.

Never had I written an artist statement before a quilt was complete. To meet the exhibition deadlines, choosing less than 75 words powered those lights. Suddenly, a path of color and texture appeared. I knew where to go next. Let this quilt brings a moment of reflection and gratitude for immigrant labor as we enjoy a meal.

wet felt wool fills Alanna Nelson's Immigration Windows quilt
A few of the wet felted pieces created for my cathedral windows quilt.

Annamaria was in Boston, and we enjoyed a trip to the New England Quilt Museum.  It was wonderful to talk about possibilities, logistics on the way up and then jump into the wonderful world of fiber art and quilts.

The Finestre Migranti¬†exhibit opens at Verona Tessile on April 25. Annamaria revived my desire to go… dare I?

Follow Immigration Windows on social media using #FinestreMigranti.

You can see my #ImmigrationWindows posts on Instagram