Writing a Studio Art Quilt Associates member profile about myself sent me scampering for quilt images. Turning to the CDs, flash drives and cloud storage nooks where my art quilt photos lurk, I found some nice memories.
Detail from “The Road to School,” 1999.
Detail “Road to School,” 1999
It took forever to sew these pinky nail sized leaves onto the Road to School. At that point, I would machine quilt for the bed, but art quilts were always hand quilted. Now I use a longarm or hand quilt, depending on the statement and effect desired.
Bright Sky II, 2013
I couldn’t easily find CDs of some professionally photographed quilts. Ack. There are quilts that I never photographed, some of which I’ll probably never see again.
Gioia’s Rainbows, 2003
This little journey down quilt memory lane shows how pursuing the Master Hand Knitter program has reduced my quilting since 2013. That will soon be out of my life so I can focus on quilting more.
I hereby declare:
to photograph all completed quilts from this day forth, establishing a data storage policy which shall make future retrieval of digital images more efficient.
As an art quilter, collecting and admiring art quilts comes part and parcel with the passion. This fall, I vowed to support the Studio Art Quilt Associates Auction for 2015. With 358 members submitting work, this is a mind boggling bounty of techniques and voices expressed in 12″ x 12″ quilts.
With my small, defined budget, my bidding opportunities meant I could participate toward the end of the week’s bidding. On the other hand, the selection of beautiful quilts that I could get with my small, defined budget was bountiful!
Last week, the latest addition to my art quilt collection arrived:
Dawn Allen’s 3 D art quilt is now mine! Dawn is a fellow Massachusetts/Rhode Island Studio Art Quilt Associate member. Hurray!
You can run on down to the Fuller Craft Museum to see another Dawn Allen quilt through January, 2016.
It’s another one of those ridiculous weekends when there’s not enough time for all the great exhibits going on in New England. So spoiled to bask in the plethora of textile wonder, my weekend will actually start on Thursday, April 10 at the Original Sewing Expo in Worcester. Find me at the Studio Art Quilt Associates booth at the beginning of the day.
Of course, it’s time for the Machine Quilters Expo… an event I’ve never actually been to, but I can count on Laurena and other Rising Star Quilters to fill me in.
If you haven’t yet seen the New England Quilt Museum’s exhibit of the 2012 Nihon Japan winning quilts… run! The show closes this weekend. I was so pleased to see my friend Teresa Gai‘s quilt there.
As I test my hat pattern and proof my Master Knitter Portfolio, my thoughts turn back to quilting. Walking at Breakheart Reservation last weekend, I loved the black and white lines contrasting with the blue sky and the winding path. Possibilities…..
Quilting simmers on the back burner this year as I pursue the last stage of the master knitter program. Without starting my tirade for more hours in a day, let me just say how pleased I was to participate in the Studio Art Quilt Associates’ exhibit at the 2013 Images Quilt Show in Lowell. Val and Michele led the charge as co leaders of the Massachusetts/Rhode Island chapter of SAQA. As the veteran event organizer, I can totally applaud and appreciate the time and energy dedicated to this exhibit. Thanks, wonder women!
The SAQA special exhibit called for three works made by the same person united by theme, techniques or colors. What a great opportunity to look through my quilts and complete finishing touches to one languishing! These were the 3 quilts I showed from August 8 – 10, 2013.
Entry Blessings, 2013
I originally put this quilt together for last fall’s Rising Star Quilter show, but was so unhappy with the work, I took it apart and modified the felted background, approached the appliqué in a different manner and requilted the work. The Arabic greeting wishes all who enter peace and tranquility. Besides the wet felted “cloud,” I embroidered the words on silk, adding a trail of sequins and beads. I tried to balance formality with irregular shapes… not sure if I got it right yet, but the felted cloud functions better than it did last fall.
Bright Skies II, 2013
Inspired by a baby quilt I made in 2003 (that hung on the wall and not in the crib, I hear), I dyed and painted many of the fabrics in both Bright Skies quilts during my days in Rome. Fabric, felted and knitted suns are reverse appliquéd to the piece. The lower right sun is simply a machine quilted circle… indicating perhaps new techniques I may incorporate in my quilts? This was my languishing quilt, as the top was completed in 2010.
Gioia’s Rainbows, 2003
Driving around the Castelli Romani in 1998, I came upon a most magnificent double rainbow. I made this quilt during my youngest daughter’s rainbow phase, but it sat in a drawer for a decade. I think it’s time to hang this quilt somewhere.
Now it’s off to play with more fabric!