Loving the Longarm

My grandfather believed that you should never begin a letter with an apology for not writing.

“Why waste the paper? If you get a letter from someone, you want news, not excuses.”

Blogging is the same sort of thing, I imagine.

GB80s

If you’ve been following the Master Knitter Level 3 journey and other posts marking the voyage, you may be relieved/surprised that I finally sent the portfolio in about a month ago. I’ve had all kinds of fun during my free time, glorious long days and warm nights that beckon me to spend every possible minute outdoors.

Work wise, I’ve started spending a chunk of my week at Laurena’s Longarm Quilting.

Boston Longarm Quilting at Laurena's Longarm

Laurena’s ready for the next wave of growth and has realized that she can’t do everything (although she certainly tries!). I’ll help her with marketing, social media and assisting renters at her studio in Burlington. I’ve known Laurena for (gasp) seven years now, as a small group of Rising Star Quilters headed up to the Vermont Quilt Festival for a fantastic fiber escape as part of my Tactile Travel tour business.

At the time, Laurena had one longarm quilting machine, providing custom quilting for Boston area patchwork lovers. When she added another machine and started teaching others how to use the machine in 2008, I was quick to sign up. I love hand quilting, but I have machine quilted several queen and king size quilts on my Bernina . One of my art quilts made of 5 layers of wool just wasn’t gliding easily with my home machine.  So I started the path and eventually felt confident enough to quilt Plantano II in 2010 (somewhere I know I have photos…).

I still love hand quilting, but when it comes to bed quilts, I’m all about the longarm. For those quilters who still firmly believe that hand quilting is the only way, I respect your belief. But it’s not the true and only path. If I’m feeling flippant, I could remark that only sail boats are an acceptable form of cross Atlantic transportation as well (But I’m not, so I won’t!). We all love different things. I, of course, love many things.

Have you tried a longarm quilting machine? Once you’re loaded, it’s quite fun… anyone who loves to doodle will adore it.  Anyone who doesn’t like doodling can definitely get their zen moment by following a pantograph.  Laurena offers Learn about Longarm classes twice a month, so definitely contact her if the idea interests you.

I’m looking forward to sharing some of the projects that tempt and try my hands and mind lately. So, expect more frequent blogging this summer. For all things about longarm quilting, I’ll post content on Laurena’s blog. I enjoy posting Tactile Travel discoveries and living projects vicariously through some of my favorite blogs. If you really want to hear the daily scoops, definitely let’s connect on Twitter or Instagram.

Then if there is a delay in posting, we can at least keep in touch.

Best Wishes!

Alanna

Civita II Mini Raffle Quilt

Civita II Mini Raffle Quilt

In northern Lazio, there is a hilltop that Rick Steves essentially saved from washing away, both figuratively and literally. Civita di Bagnoregio  was the birthplace of St Bonaventure, but the gritty volcanic tuff and earthquakes eroded the sides and summit of this bluff. Until Rick Steves waxed on about it in the early 1990’s, it seemed destined to disintegration.

Civita di Bagnoregio, ItalyAbout 10 days before the Rising Star Quilt Show, members received an email with new ways they could support the show. I’d never made a 12×12″ mini quilt for the raffle, so why not?

In 2010, I made an 8×10″ quilt based on a drawing I did of this hilltop town. About 75 pieces were pieced together, which was quite enjoyable, and I wanted to take this and play with the basic image. Could I create a simple quilt and finish in time? As Tim Gunn says, “Make it work.”

The mini quilt had 4 different fabrics, 3 of them hand dyed/painted pieces from my stash. I outlined buildings with machine quilting, but that left the windows. What to do? I would love to capture the way shadows hit the space, and I would love to finish this quilt before Friday afternoon!

In comes the October speaker for the Rising Star Quilt Guild, Jane Davila, who not only spoke but brought many goodies for textile artists.  I picked up a couple of nail-polish-bottle looking bottles of accent ink from Smooch. Obviously, I have a lot to learn about using these inks, but when the time and simplicity are paramount, it worked.

Civita Quilt by Alanna Nelson
I wasn’t at the show on Saturday (ehem, it was the best day of the last weekend of sailing season), but I heard it attracted a bunch of tickets. Best wishes to whoever won!

Rising Star Quilters Show 2014

Rising Star Quilters Show 2014

October 26 – 27, 2014

Amble on over to Cary Hall in Lexington, MA for the Rising Star Quilters Guild for eye popping quilts, a boutique of hand made items, raffles and scavenger hunts.   Truly something for everyone, quilt fiend or not!

Rising Star Quilters Show Raffle Quilt MA 2013

Autumnal Stars is the large raffle quilt at the 2013 RSQ Show


I’m donating a mini quilt for our raffle inspired by a hillside town in Italy. You can also see my contribution to the “Two by Two” challenge (photos up next week, I hope!) Hope to see you there!

Cohesive Art Quilts at Images Quilt Show in Lowell

Cohesive Art Quilts at Images Quilt Show in Lowell

Quilting simmers on the back burner this year as I pursue the last stage of the master knitter program. Without starting my tirade for more hours in a day, let me just say how pleased I was to participate in the Studio Art Quilt Associates’ exhibit at the 2013 Images Quilt Show in Lowell. Val and Michele led the charge as co leaders of the Massachusetts/Rhode Island chapter of SAQA. As the veteran event organizer, I can totally applaud and appreciate the time and energy dedicated to this exhibit. Thanks, wonder women!

The SAQA special exhibit called for three works made by the same person united by theme, techniques or colors.  What a great opportunity to look through my quilts and complete finishing touches to one languishing! These were the 3 quilts I showed from August 8 – 10, 2013.

Entry Blessings, 2013
Alanna Nelson Art Quilt

I originally put this quilt together for last fall’s Rising Star Quilter show, but was so unhappy with the work, I took it apart and modified the felted background, approached the appliqué in a different manner and requilted the work. The Arabic greeting wishes all who enter peace and tranquility. Besides the wet felted “cloud,” I embroidered the words on silk, adding a trail of sequins and beads.  I tried to balance formality with irregular shapes… not sure if I got it right yet, but the felted cloud functions better than it did last fall.

Bright Skies II, 2013Mix media quilts by Alanna Nelson, Boston, MA

Inspired by a baby quilt I made in 2003 (that hung on the wall and not in the crib, I hear), I dyed and painted many of the fabrics in both Bright Skies quilts during my days in Rome. Fabric, felted and knitted suns are reverse appliquéd to the piece. The lower right sun is simply a machine quilted circle… indicating perhaps new techniques I may incorporate in my quilts? This was my languishing quilt, as the top was completed in 2010.

Gioia’s Rainbows, 2003

Italian landscape art quilt by Alanna NelsonDriving around the Castelli Romani in 1998, I came upon a most magnificent double rainbow. I made this quilt during my youngest daughter’s rainbow phase, but it sat in a drawer for a decade. I think it’s time to hang this quilt somewhere.

Now it’s off to play with more fabric!

Soap, slap and roll!

Soap, slap and roll!

My wool collection includes yarns, threads, fleece and roving. On hot summer days, the latter two are some of my favorite toys.  There’s something quite gratifying about putting on your swim suit and playing with soap, wool and water.

Alanna Nelson art quilts and feltingNeedle felting is nice, but wet felting just brings out my beach instincts.  In any case, I’m happy to include both in my art quilts.
Several of my recent art quilts use a felted background.  It gives a lovely sense of multi textural goodness that contrasts with embroidery, quilting, applique and beading. For all of the fabric that I’ve dyed and painted, felting gives me a new dimension.

Here’s a background…felt art quilts by Alanna Nelson
That became this quilt…
Arabic Entry Blessing Quilt by Alanna Nelson
Earlier this week, my daughter’s college exploration took me to the Pioneer Valley.  She considered my suggestion to fiber shop audacious. “Oh, no…don’t you have enough projects going now?”

She’s probably right, or we would have definitely stopped by New England Felting Supply in Eastborough to pick up some dyed quick felting merino roving. Felting has been a fun change of pace from my Master Knitter Focus this year.

I recently felted some undyed Shetland fleece and am here to report that merino felts much more quickly (however the end result was fabulous, pictures in a future post)!  The slapping, stomping and throwing were undoubtedly excellent upper body work outs. If nothing else, I love playing with soapy water on summer day.  It beats sitting in air conditioning, doesn’t it?

FiberCamp Boston 2013

Did you think I was on the sofa, eating bon bons and watching “Downton Abby“?  Mais, non!  (Alright, I did spend the last two Sunday evenings with knitting and hot chocolate, watching season 3).  Fabric and yarn excitement and shifting priorities made the last three months simply sizzle.

Currently, the waning fireworks are from the Common Cod Fiber Guild’s Ignite Craft and FiberCamp… three days of creative energy, company and the opportunity to share with others.  On Friday night, I spoke at Ignite about the wonders of FiberCamp.

Ignite Craft 2013 speakers

All eyes on Guido Stein as we prepare for IgniteCraft Boston 2013.

I offered to facilitate three sessions at the FiberCamp  itself:

  • Making a Log Cabin Quilt Block (here’s my handout CreateLogCabinBlock)
  • Creating a Duct Tape Mannequin
  • Fair Isle Knitting (I had no idea there was such trepidation about this topic!)

FiberCamp 2013 SewingThere was also time to show Sheeri around her new sewing machine, fetch coffee, label rooms, browse the pop up vendors like Dirty Water Dyeworks (a skein from Stephanie is a FiberCamp tradition!), pick up that incredibly crazy “52 Pick Up” pattern from Fallingblox and some teal hand spun from SnowMoon3.

Good thing stash reduction was not a New Year’s resolution.

I treasured the session led by Jen Stark of BlueAlvarez, where she shared the Excel spreadsheet she’d developed to streamline pattern grading for knitwear design.  Jen is a creative and thorough designer who has experience, education and “the eye.”  Fit, function and statement flow from her designs.  Wow!  The SAORI Weaving session was at the same time, and I thought perhaps I would follow the “rule of 2 feet” and try to stop by both sessions, but I was totally absorbed with the possibilities and ease for sweater design.  What a great session Jen led.

Thank goodness I was able to enjoy Mihoko’s presentation the night before at Ignite Craft… I’ll be sure to share the video when it is posted.

Amy King of Spunky Eclectic led a bunch of sessions on Saturday and I managed to catch a bit of making patterns from existing clothing.  I have, on occasion, been burned by mistakes while doing this.  Most of these could have been avoided by placing my pattern paper on top of a soft surface (say carpet) and pricking important lines with T pins.  Now why hadn’t  I ever thought of that?
Amy King at FiberCamp 2013 Whatever the session, it was fun to dive in and see what might happen next. I crocheted aliens, overheard tips on thrummed mittens, and just enjoyed the company of the other FiberCampers.

Now it’s back to my regularly programmed life and posting about other fiberlicious projects in my studio.