Distilling Fiber Thoughts

Distilling Fiber Thoughts

Last summer, I felt certain my Finestre Migranti Immigration Windows quilt would be complete by October. In October, my expectation was surely complete it by the end of 2018. Ha! As winter 2019 begins to thaw, I’m still feverishly felting and stitching.

Alanna Nelson Finestre Migranti Window quilt background components
Background piecing for Finestre Migranti (Immigration Windows). My large square units weren’t a perfect fit – most likely due to my conversion from metric to English measurements.

Perhaps you read about my inspiration and thought process for my contribution to this international initiative. Although immigration and its ties to our food certainly focused my theme, the opportunities to express it swished and swirled until little lights sparked. This one quilt can’t do it all. There could be a series here.

Never had I written an artist statement before a quilt was complete. To meet the exhibition deadlines, choosing less than 75 words powered those lights. Suddenly, a path of color and texture appeared. I knew where to go next. Let this quilt brings a moment of reflection and gratitude for immigrant labor as we enjoy a meal.

wet felt wool fills Alanna Nelson's Immigration Windows quilt
A few of the wet felted pieces created for my cathedral windows quilt.

Annamaria was in Boston, and we enjoyed a trip to the New England Quilt Museum.  It was wonderful to talk about possibilities, logistics on the way up and then jump into the wonderful world of fiber art and quilts.

The Finestre Migranti exhibit opens at Verona Tessile on April 25. Annamaria revived my desire to go… dare I?

Follow Immigration Windows on social media using #FinestreMigranti.

You can see my #ImmigrationWindows posts on Instagram

My Windows on Immigration Quilt

Annamaria Brenti reached out in May 2017 with details of her Finestre Migranti/Immigration Windows Quilt project. Did I want to participate?

“Of course!” I immediately responded.

As I write, I realize it is twenty years that I’ve known Annamaria. Our paths first crossed in Frascati, Italy when word traveled that a new quilter had moved to town. She was Italian, but began quilting in America. Having lived in several countries and traveled extensively, Annamaria’s curiosity and intensity observed and absorbed traditions from around the world. With this toolbox of skills and love of Italian history, her quilt vision blossomed.

A little aside: The oldest extant quilt (trapunto). is Italian The magnificent “Tristan Quilt” was made during the 1200s CE in Sicily. Quilts are layers of fabric with wadding that are held together with stitching.

Tristan Quilt V&A museum

The Tristan Quilt, from the collection of the Victoria & Albert Museum

Patchwork is the assembly of fabric pieces to create a flat surface. Patchwork quilts are a relatively recent (1800s) needlework tradition with roots in the US and England. The patchwork trend migrated to Europe as it gained popularity in the 1980s.

It was the beginning of patchwork’s popularity in the Castelli Romani. When Annamaria moved to Frascati, QuiltItalia, Italy’s national quilting organization, was a tiny bud. Patchwork led me to friendship with Silvana Zenatello di-Manzano, Madalena Lucchetti and Giovanna Mostardi. Days of patchwork, nights of group meals in Monteporzio Catone and exhibits in community arts centers gave my quilting an anchor as I explored techniques and considered my vision.

Since 1997, Monte Prozio Catone promotes patchwork and quilters.

Monte Porzio Catone

Annamaria shared her international experiences with the Castelli Romani quilters.  Around 1999, Annamaria and Silvanna drafted a friendship quilt pattern based on motifs found in Japanese iconography and Roman mosaics. Once the blocks were assembled from Japanese and Italian quilters, I hand quilted the silk and cotton quilt. In June 2001, Annamaria and the Castelli Quilters hosted the Japanese quilters and the friendship quilt was admired from all sides. Somewhere I have photos of that…

The Finestre Migranti/Immigration Windows Quilt project differs from other group quilt projects Annamaria’s organized. Annamaria wants worldwide perspectives on immigration within a framework. Past group projects implemented an already established pattern that was executed with individual contributions curated by Annamaria.

For the Finestre Migranti/Immigration Windows Quilt each quilt:

  • uses a variety of cathedral window shapes, both square and rectangular, in columns seven units tall
  • measures 90cm/36″ high and at least 150cm/60″ long
  • allows each quilter to mix and matches nine different columns configurations.

The framework gives complete control to individual interpretation while still linking each piece. Annamaria has been very successful in recruiting quilters from around the globe. The work will debut at the 2019 Verona Tessile. Annamaria, Silvanna and others maintain an active Facebook page where participants share photos of their process.

The framework was straightforward. The possibilities were endless. I decided to limit myself to the 150cm width. Annamaria, who thrives on making art in large scale that is filled with mesmerizing details, has declared that her quilt panel will be 177″ wide. I realized that the larger the quilt, the more difficult it would be for me to focus on my theme. My challenge would be to distill a theme and present it clearly within the 63 windows of my quilt?  What will my immigration windows quilt say?

When Annamaria contacted me, a poster from a fundraising appeal from the UNHCR stirred emotions each time I entered the kitchen. “The only thing stronger than fear is hope,” in large white letters topped this photo of an overcrowded boat filled with refugees. Massimo Sestini‘s award winning image resonated throughout the world. Immigration Windows quilt inspired by Massimo Sentini photo

The expressions of those passengers off the Libyan coast in 2014 vary. Some are happy, some preoccupied with children, some fearful and other look blankly at the camera. Many look cold and worried.

Initially I thought that the Mediterranean travels of refugees would anchor my quilt. Refugees are a world wide phenomenon. The flight and twisting journeys of those forced to flee cover the earth. Between 1997 and 2016, twice as many people live with forced displacement. The UNCHR estimated that more than 65 million people were refugees in 2016. That is a mind boggling number. The majority flew crises in Syria and South Sudan, and half of the refugees are children. Words like hope, movement, work, adaption, journey filled my inspiration list as I searched for my theme.

Of course, immigration issues in the United States frame the United States since colonial days. The first immigrants, the Pilgrims, fled religious persecution. Later, indentured servants and slaves came to the US for agricultural work. This tradition continues today. Our agricultural economy relies on immigrant labor; a fact that we may not see but touch every day with the food we eat. Upon learning that nearly half of the US farmworkers are illegal migrant workers, ideas started moving into focus. California industrial farming relied on migrant workers. Dairy farms in Wisconsin and Vermont rely increasingly on migrant workers. Small farms in Massachusetts are worried that immigration enforcement will prevent them from bringing product to market. Unless you grow all of your own food in the US, you rely on migrant workers. Without immigration reform, with a US administration that sees immigration as bad news for America, my quilt theme developed.

I’m still assembling my 63 blocks. Undoubtedly I will look at the structure and adjust my plan for the felted and stitched pieces I plan to insert into the cathedral windows. Using hand painted and commercial fabrics can sometimes be tricky, but my first finished window looks promising. Alanna Nelson Finestre Migranti Quilt Block with felt I haven’t picked the project up since April, but the next couple of weeks will focus on this. Block by block, I hope to have my immigration window quilt done by October.

If only we could reform our immigration system to acknowledge and support the people who work so hard to feed the United States by October….

Joined by Stitch April 17

Joined by Stitch April 17

It’s up! My fiber art critique group has their first exhibit at the Andover Library through April 30, 2018.

Fiber Art Exhibit - Joined by Stitch - Andover 2018

Thanks to SAQA – MARI, Betsy Abbott gathered fellow members and friends together, creating what we now call “Joined by Stitch.” Seven fiber artists, each with their own perspectives and favorite techniques, meet monthly to share studio revelations and our journeys. I’ve really enjoyed getting to know Betsy, Sue Colozzi, Tarja Cockell, Janis Doucette, Anne Kimball and Madalene Axford Murphy.

We’re hosting a “Meet and Greet from 7 to 8 pm on Tuesday April 17 at the library. I’d love to see you there!


Fiber Art at The Gallery in Malden

Fiber Art at The Gallery in Malden

Alanna Nelson winter landscape inspiration New EnglandThe March landscap in Massachusetts can be an acquired taste. Bare branches, squishy boggy mud and wide ranging weather possibilities make cozy pancake eating days in maple sugarhouses one of its main attractions. However, March 2018 is a magical time to discover Land and Nature Scapes in fiber art around Boston.

More than a dozen fiber artists share their work at The Gallery in Malden from March 1 to the 25. The reception is on Thursday March 8 15 (aforementioned wide ranging weather postponed the date) from 7 to 9pm. You’ll enjoy a wide range of imagery and messages inspired by the lines and color from around the world.

I’m delighted to be part of that exhibit, but let me point you to web sites of some of the other artists: Betsy Abbot, Sue Colozzi, Tarja Cockell, Madalene Murphy, Kathleen ConnorsCarol Ann Gotrian, Jeanne Marklin, Valarie Poitier, Janice Jones, Cathy Granese, Ann Kimball, all gathered by the wonderful Janis Doucette.

A newcomer on the Malden scene, The Gallery is a local maker’s gift shop, exhibit space and community space dedicated to the arts right in Malden Square. Its spirit and inclusion is boosted by the wonderful Ose Schwab, with the physical space supported by DSF Advisors. The Gallery reflects Malden’s diverse population, and I’m excited to see how it develops. Go Gallery, go!

Gallery Malden March 15 Fiber Art Reception

Will I see you there? Hope so, but if not, perhaps you can make it to April’s meet and greet… more about that next time.

Melrose Open Studio Tour December 3, 2017

Melrose Open Studio Tour December 3, 2017

Alanna Nelson Fiber Art MOST Open StudiosMelrose, Massachusetts (my fair town) has a vibrant art community and festival. We even have a community arts calendar. As a member of the Cultural Council for six years, my appreciation of the reality and possibilities grew. So when Demi Dubois asked me if I thought we could put together an Open Studio Tour in six weeks, it didn’t take for me to respond, “Yes.”

In three weeks, with help from Ellen Rolli and Adrian Johnston, she gathered many artists, a logo so I’m whipping together a web site for the first Melrose Open Studio Tour.

You heard it here first!

I’m running upstairs to get my fiber den ready for visitors. See you there?